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"Street Shooting Legends" Modern Russian photographers: the city's troubadour

2022-10-01 01:38:48 [Photography art]
"Street Shooting Legends" Modern Russian photographers: the city's troubadour

Igor Mukhin shoots in a time of change, the author is not concerned with the chronicle of political and social events, but rather - the atmosphere of the time, the mood of the people, the time between the past and the future Wire. His work is divided into three parts: the Gorbachev era, from 1985, when Igor Mukhin started photography, the Yeltsin era, from 1991, and the Putin era, from the 2000s. His photo stories are vibrant black-and-white works that capture the unpredictability and dynamism of big cities like a movie. The author's ability to shoot is excellent, as if he is in the scene and at the same time detached.

"It is necessary to make sure this is a 'surprise' photo, but it is necessary to make characters who trust me feel comfortable without noticing me"

The photographer documented the signs of the changing fabric of Russian society in the 1990s. The subject of Mukhin's choice of filming is especially difficult for young people during this period of painful change. But this period also revealed vast new prospects, and dream opportunities.

"I think it's time for a change and I need to shoot" - Igor Muchhin

Lovers often fall into Igor Muchhin's lens . At the same time, none of the photo chroniclers of the day captured so many poetic shots of loving couples embracing and kissing like Igor Mukhin. Their views, postures, gestures became symbols of life energy in the 1990s.

Light and shadow are his means of photographic expression, as well as a mature technique in his photographs.

Focused on Moscow's underground rock scene in the '80s: a raucous and playful counterculture that saw groups of young men in trendy clothing or various stripped states smoking and listlessly hugging each other. This small, tight-knit community fascinated young Muxin. When he heard The Clash's "London Call," he wondered: Can he deliver the same energy through photography? Mukhin subtly conveys the time of contrast through a play of light and shadow. Later, Mukhin turned his attention to street photography, often with an absurd sense of humor. He created group portraits of distinctly different people. He focuses on the contrast between the old world and the new world within the same frame.

His photographs are characterized by fine-grained sharpness and a temporal cinematic experience in still images.

Mu Xin sees the world without the filter of critical or romantic realism. The photographer's natural expressive ability to focus social spaces and specific figures in the frame enabled him to create the most vivid and inherently dramatic images of Russia and its capital at the turn of the 20th and 21st centuries. Mukhin subtly conveys this contrasting period through the use of light and shadow. He felt it was important to feel the temperature of the culture through contact with ordinary people. While other photographers were documenting the war in Chechnya, he wanted to capture the impact of the war on the city's inhabitants in the country; how the sense of disaster affected everyday life. By simply showing anonymous figures from everyday life, Mukhin's images point out that Europeans interpret his street photos as "documentaries", while Russians view his pictures as "too artistic" for media use (fact , his work was rarely published in his hometown). Each of Mukhin's images is a malleable metaphor that can sometimes take the place of the storylines we devise in our imaginations. In some cases, the photos are piled up in series, such as photos of Moscow dug up from all directions—symbols of a time when life throughout the post-Soviet era was completely rebuilt. The book My Moscow, in fact, like all of Mukhin's work - is a concentration of life, a life that tries to understand, feel, feel it all, without commentary and digression. Understand, feel and remember. Mukhin's work is a memory card with a universal connector. Igor Mukhin's early work is a black-and-white history of reality, where people's faces serve as a sort of sign of modernity. Muxin captured images of monumental culture and everyday objects over kilometers of film footage. Mukhin's work is not separated from life. Every work is like music, ideal, vast and complete, but part of a grand musical work whose name is life.

Igor Mukhin - The Prism of the Modern World

The photographer has a close relationship with city dwellers, taking them seriously through irony and criticism, documenting The disorienting, chaotic conditions of the ubiquitous era of neoliberalism and civilizational regression. This is a portrait of a confused, lost generation.

Photographed these three different megacities

Igor Muhin shot these three different megacities in one go, Moscow, Paris and Vienna . He avoided the obvious temptation to focus on the capital's recognizable architectural symbols. He is interested in people, usually young people and people in love. In 1999, Igor Mukhin received a scholarship from the City of Paris and a French Youth Photography Grant from the French Ministry of Culture for a project celebrating the third millennium. The photographer captured three world capitals around the same time period at the turn of the century and the millennium. The early 20th century was a time of global change in economics, geopolitics, culture and social life. Since then, the changes that marked the beginning of the 21st century and the 3rd millennium have unknowingly accumulated at the end of the 20th century. Photographing Paris is a test for any photographer. Great photographers such as Brassaï, Henri Cartier-Bresson, Marc Riboud have photographed the city. Igor Mukhin has managed to document the last moments of the past millennium in his own way, creating a unique lyrical image of this great city by portraying the prism of those responsible for preserving Parisian traditions and transforming its appearance in the 21st century. Mukhin is recognized as an outstanding documentary photographer and heads the Rodchenko School's Today Documentary Photography Studio. A photo is a file whose history is recorded. Images created by Igor Muhin twenty years ago are today a historical document.

Igor Mukhin

Igor Mukhin Igor Mukhin Igor Mukhin was born in Moscow in 1961. The function of plumber learned in technical school, worked as heating technician and night watchman. He became interested in photography at the age of 16, but did not realize that photography was his calling until the age of 24. Igor Mukhin teaches at the Moscow Academy of Photography Rodchenko, which trains contemporary Russian photographers (Nikita Shokov, Elena Anosova, Alexandr Anufriev, Danila Tkachenko). He exhibits regularly in Russia and holds a very special place in the Russian photographic scene and regularly exhibits his work internationally. The photographer has more than a dozen books: Born in the Soviet Union (2005), I Saw Rock and Roll (2016), The Weekend (2017), Searching for Immortal Propaganda (2018) ), "Lights of Moscow" (2019), his book "My Moscow" (2012) has been part of the project with internal engagement and contemporary testimony: in more than 200 black and white photographs, daily life in the Russian metropolis Excerpts from Landscapes of Life. The mix of photojournalism, anecdotal styles and film stills reflects the mood and mood of individuals trying to hold on to their own amidst the ups and downs of trends at the time. Since 1987, Mukhin's work has been exhibited regularly in Moscow galleries. Abroad, he is hailed as an outstanding representative of modern Russian photography. Two photos of Muhin from the series of youth in the big cities are included in the list of the most expensive Soviet photos. "The future lies in 28mm and 35mm lenses". Igor Mukhin did shoot with wide-angle optics and a Leica camera. Mukhin's works are exhibited in collections all over the world and are widely acclaimed, his images can be found in the collections of the State Tretyakov Gallery, the Multimedia Art Museum, Moscow Audiovisual. Schusseff State Building Museum, Museum of Modern Art (New York), European House of Photography (Paris), National Foundation for Contemporary Art (Paris), etc.


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