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In his paintings, there is Xugu and Fu Baoshi's fairy-like Zen.

2022-12-08 06:06:08 [Light ] source:phoebeparke.com
In his paintings, there is Xugu and Fu Baoshi's fairy-like Zen.

Cheng Zhongchen: Born in March 1964 in Haiyang, Shandong. A contemporary philosopher and thinker, he is another artist with profound thoughts and clear views in the Chinese painting circle after Wu Guanzhong. Together with Liu Guosong and Zhou Shaohua, he is known as the pioneer and iconic figure in the field of modern ink painting. He is currently a member of the Revolutionary Committee of the Chinese Kuomintang, a member of the Chinese Artists Association, and a professor at Yantai Institute of Technology. In his paintings, there are virtual valleys, and Fu Baoshi's paintings of immortal Zen-like dragons leap into loyal ministers continue the traditional Chinese cultural circle. When he was young, he was under the guidance of Mr. Ye Qianyu, a great master in the art world. At the same time, he received moxibustion from Liu Jiyou, Dong Shouping, Yu Xining and Hei Bolong, laying a solid and rigorous foundation for painting. His paintings are quite ancient. In addition to painting, he deeply studies traditional Chinese studies, understands the collection of classics and history, Confucianism, Buddhism and Taoism, organically combines calligraphy and painting Chinese studies, and has unique innovations and breakthroughs on the basis of tradition. Together with Xu Qixiong, Wang Jinyuan, Zhou Sicong, Du Ziling, Liu Dawei and Wang Yong, he is also known as the "Seven Sons of Yemen". Cheng Zhongchen's artistic practice is based on the inheritance of traditional cultural genes, and completes his artistic practice in a way that connects ancient and modern contexts. In his works, he absorbed the traces of the paintings of Xu Wei, Bada, Shi Tao, Xugu, Ren Bonian, and Wu Changshuo, and transformed these ancient sages into a furnace, forming his own immortal Zen atmosphere. This kind of atmosphere in his paintings is obviously related to his liking for Zen life. He is keen to create a Zen cultural atmosphere. He believes that this kind of life is quiet and elegant. It can get rid of the irritability in the heart and create a charming atmosphere, which is a life characteristic with strong taste! Cheng Zhongchen has been studying calligraphy and painting since he was a child. He likes traditional Chinese studies and is influenced by Buddhism at the same time. He studied Zen and enlightened Taoism. He has incorporated a lot of Zen ideas into his paintings. It carries the essence of traditional painting and takes ancient myths, legends and historical stories as the theme. The solitary, lofty, clear, and celestial Zen in his paintings all come from the long-term study of the admiration for the sages of the past dynasties. There are many allusions in Buddhism since ancient times, and these allusions are the cultural aspirations of our Chinese people. With these stories as the core and allusions as the source, we use synaesthesia to enhance the cultural connotation, so as to open up the Chinese people's vision. In this way, Chinese people can feel the charm of traditional culture and let them know traditional culture. With this profound Zen painting, charm and artistic conception, we can promote our cultural self-confidence! With the influence of the popularity and cultural carrying capacity of Zen rhyme for thousands of years, this meaningful theme is used to express. In this way, the revitalization of traditional culture will not disappear, because this is the proof engraved in the bones of the Chinese people. As a calligrapher, painter and philosopher, Cheng Zhongchen has been thinking about a question for many years. In today's popular Chinese culture and the return of traditional culture, how can the cultural essence nurtured by the great country for thousands of years be carried forward? For this reason, he used the traditional Buddhist and Zen culture to express the agility of Zen and simple aesthetics with the help of traditional brush and ink, which is a kind of cultural accumulation. Zen culture is a real artistic heritage with vitality, the crystallization of oriental wisdom, and a high spiritual sustenance. It is a cultural philosophy in the hearts of Chinese people. Zen culture is the ideal yearning of Chinese people for thousands of years. Cheng Zhongchen's paintings come from tradition and pursue the ideal realm of Zen that is harmonious and profound. There has been a cultural phenomenon of "confluence of Zen thoughts" in history, and accomplished painters throughout the ages have also used the classics as the rule, imitating the ancients and advocating this cultural phenomenon. Cheng Zhongchen, on the basis of decades of deep study of ancient sages' brush and ink, went across the historical time and space of five thousand years, and let the Zen culture permeate the uprightness and indifference of the national style. In this way, the Chinese people can learn from the allusions of Buddhism and Zen. Get inspired! Strictly speaking, in addition to the direct relationship between Buddha statue painting and Buddha in traditional Chinese brush and ink, the freehand literati paintings of splash ink are all well versed in the essence of Zen. Therefore, the history of painting for thousands of years is full of Zen infiltration, impregnating the spirit of Zen. , Zen meditation in use. It can be said that Chinese culture has formed a national spirit of self-improvement under the influence of Zen! Since ancient times, Chinese literati have paid attention to aesthetics and moral purification, and Zen culture is reflected in the mentality of Chinese native doctors, and through this vividly interprets the concept of the Chinese people, "the master is good to the world, and the poor are alone" way of life. From this point of view, the influence of Buddhist Zen culture on Chinese cultural people is self-evident. Since ancient times, scholars who have really made great achievements have paid attention to Zen meditation and cultivation, and introduced the enlightenment of self-realization of Buddha nature into the art of poetry, calligraphy and painting, so that traditional Chinese culture and art have achieved a kind of super-intellectual and super-utilitarian spiritual experience like Zen enlightenment. ! "Lu Xun" is said to be a collection of why there are almost no painters with Zen fascination today, but there are many in ancient times? The fundamental reason is that today's Chinese people pursue utilitarianism and do not possess traditional Chinese learning knowledge! Those who say things that are not pleasing to the ears are universal and uncultured, and the works lack traditional factors for support. The reason why Mr. Cheng Zhongchen has reached this state is that his paintings can reflect the spirit of immortality and Zen. Behind his paintings are many traditional Chinese learning foundations that are bound and endorsed. This is what sets him apart from many painters. Sep. 22020+by: Smell yes

(Responsible editor:Dark)

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