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15th century Italian painter Carlo Crivelli figure oil painting︱Famous art paintings

2022-09-27 00:38:32 [Light ]
15th century Italian painter Carlo Crivelli figure oil painting︱Famous art paintings

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Carlo Crevelli The Immaculate Conception The Immaculate Conception, National Gallery, London, UK
This is probably the earliest image of the Virgin of the Immaculate Conception. The doctrine, which claimed that the Virgin Mary was miraculously conceived without original sin, was controversial but grew in popularity in the 15th century, becoming dogma in 1854. Despite being rejected by the Dominicans, the Franciscans supported it. A standard format and symbology underpin the creation of such works. Symbols come from the Bible, including "Revelation" and "Song of Songs." Here, the purity of the Virgin is symbolized by a lily in a pure crystal glass. Signed and dated 1492, this work is from the Church of San Francisco in Pergola, central Italy.
Carlo Crivelli, 1435 Born in Venice, studied painting with Squaggio. He spent most of his life in Marches, occasionally making stops in Venice and Zanla. Mainly painted religious subjects in an elegant and detailed style, thanks to Mantegna. He used a mixture of plaster and paint to create decorative effects. He was at his creative peak in 1457, when he was sentenced in Venetian for adultery. His altarpiece at Marches was very successful. His early works were greatly influenced by Vivarini. Crivelli successfully used some techniques in his paintings, and his paintings are well preserved. He is good at using lines to enhance decorative effects, and his works are colorful. His work was particularly popular in the 19th century. He died in 1495.

Carlo Crevelly Saint John the Baptist This painting showing Saint John the Baptist, National Gallery, London, UK Large "Demidov Altarpiece" from the High Altar of San Domenico in Ascoli Piceno, east-central Italy. Represents that Saint John has two attributes usually associated with him: a cross and a scroll bar with the first few words of the phrase "ECCE": "AGNVS DEI QVI TOLLIT PECCATUM MONDI" (Behold, the Lamb of God took away the world sins). To indicate his hermit life in the wilderness, Crivelli painted him standing in a landscape of rocks and sparse vegetation in animal furs (the other saints in the altar stand on marble steps). A bird perched, with its back to us, hunched over to the right of the Baptist. A visible red splash on its head indicates that it is a goldfinch. (The Goldfinch is said to have acquired its red face by plucking a thorn from Christ's forehead on the way to Calvary, being crucified, and spattered with his blood.)
The Madonna of Candles, 1429, 218x75cm, tempera on plate, Pinacoteca di Brera, Milano (Gallery Brera, Milan). Italian Florentine School, Renaissance art works. This is an altarpiece in which the artist adorns the Virgin with fruit and delicate ornaments, meaning that he expects the Holy Spirit to bring harvest and happiness to the world. The painter uses egg white to mix colors to paint on the wooden board, which is called tempera painting. The painting method is similar to the miniature painting popular in the Nordic Netherlands. It is extremely neat and delicate. The use of yellow tone produces a resplendent and splendid effect. The image of the Virgin is dignified and beautiful. The figures and the environment constitute an exquisite decorative pattern, which is a fine work in the altarpiece of the Virgin.
Art is a kind of enjoyment, the most fascinating enjoyment of all enjoyments-Romain Rolland's pictures and texts come from the Internet, and the copyright belongs to the original author. Before leaving, please pay more attention to these beautiful articles worth reading #art# #portrait# #painting# #名画# Soft colors, subtle and moving oil paintings of figures︱Theodore Lali

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