Selected works in the exhibition | "Green Xing'an, A Thousand Miles of Paintings" Inner Mongolia Greater Xing'an Mountains Photography Exhibition

Selected works in the exhibition | "Green Xing'an, A Thousand Miles of Paintings" Inner Mongolia Greater Xing'an Mountains Photography Exhibition

"Hulunbuir Prairie, white clouds are floating in my heart..." The beautiful melody and melodious singing have brought people closer to the Hulunbuir Prairie, and more and more people like and look forward to the boundless style of the magnificent grassland. And when the masterpieces of light and shadow about the key state-owned forest areas of the Greater Khingan Mountains in Inner Mongolia are presented in front of them, people will have a fuller understanding and deeper impression of the key state-owned forest areas in the Greater Khingan Mountains, Inner Mongolia. If a grassland song unveils the mystery of the Hulunbuir grassland for the world, the beautiful photography works make this dazzling colorful pearl in the key state-owned forest area of ​​Inner Mongolia's Daxing'an Mountains to the world stage. For the people of Daxing'anling, Inner Mongolia, the dark green of the key state-owned forest areas in the Daxing'anling of Inner Mongolia, the wisps of sunshine and the curling smoke in the early morning of the small towns in the forest area, and the plants, trees, bricks and tiles of their hometown will always remain in the deepest part of the memory and will last forever. And those images of different styles are collected from the Daxing'anling Mountains in Inner Mongolia, often arousing people's nostalgia for the beautiful nostalgia. The time sequence has changed, the chapters have become new, the vegetation has become denser, the trees have become more lush, the wild animals that were rarely seen in childhood can now be encountered everywhere, and the wood storage yard that used to be piled up with wood has been replaced by various parks and tourist attractions... All this The changes are both unexpected and exciting. Especially in recent years, the key state-owned forest areas of Inner Mongolia's Daxing'anling have responded to the call of the state, and loggers have been transformed into forest protection workers. They are deeply rooted in the Daxing'an Mountains, fearless and hardships, after years of selfless work and hard work, they have completed their sacred mission and displayed the most beautiful forest area in front of the camera. Photography not only presents the beautiful reality of today, but also preserves the history with the guardians and builders of these forests as the protagonists, so that people can see the earth-shaking changes brought by the progress of the times to the key state-owned forest areas of the Greater Khingan Mountains in Inner Mongolia. Thanks to the power of images, this perseverance and beauty can be conveyed, and more and more photographers have entered the key state-owned forest areas of the Greater Khingan Mountains in Inner Mongolia, expressing the beauty of forests and ecology, which has been fixed and spread. In the new picture of the beautiful forest area that depicts the harmonious coexistence of man and nature, the display of ecological diversity is a strong stroke. Photographers who are obsessed with ecology maximize the combination of visual expression techniques, technical skills and cutting-edge equipment to express the richness of the natural ecology of the forest, presenting the beauty of the geographical environment, the beauty of local customs, the beauty of production labor, and the beauty of biodiversity. Video has become an important medium for the public to understand and protect nature, and even an important means to promote the development of regional tourism economy. Today, the concept of "lucid waters and lush mountains are invaluable assets" has become the consensus and action of the whole society. This year marks the 70th anniversary of the development and construction of the Daxing'anling forest area in Inner Mongolia. Under the scientific guidance of the ecological civilization thought in the new era, Wulin people guard the "face value" of green water and lush mountains, make good use of the "value" of invaluable assets, and open up the ecological environment. A new journey of civilization construction. In this process, photography has also contributed its own strength to the construction of China's ecological civilization, and handed over a remarkable "colorful answer sheet". (Contributed by Inner Mongolia Forest Industry Group) "Green Xing'an, A Thousand Miles of Pictures" Selected Works of the Inner Mongolia Da Xing'an Mountains Photography Exhibition ■ The judges recommended the forest fog waterfall Liu Zhaoming Photo Comments: The forest is vast and the green is prosperous. The author not only uses the backlight to outline the tall and straight trees, but also depicts the mist and light like a waterfall. The Tyndall effect gives the forest landscape a sacred and quiet atmosphere. Under the overhead shot from a high angle, the magnificent forest is even more imposing, and a magnificent picture scroll with "green as the background" slowly unfolds. ——Xian Yunqiang (Vice Chairman of China Photographers Association, Chairman of Liaoning Photographers Association) in the early days of autumn snow Photo by Li Zhaoli Photo by Guo Pingyi Photo by Aershan Tianchi Huang Bo Photo by the brave Oroqen (one of the group photos) Photo by Du Chunsen and returning from the mountain Wang Yucheng Photo by the forest Firefighting (one of the group photos) Zhang Jinhe photographed the wetland scenery Wu Changhong photographed the forest trail Chen Wei photographed the deer leader Zhan Dongyang photographed the green channel Guo Guixiang photographed the exploration of Gaxiandong Jiang Xupeng photographed Bailu Island Rao Muchao photographed the homeland Wang Fenglian photographed Daxing'an Mountains Long-tailed Forest Owl Ga Photo by Batel Migration Zhang Jiling photo at sunset Acacia Valley Meng Qingguo photo by giant dragon soaring National Army photo Taiga forest style Li Jing photo Cultivation of seedlings and harvest (one of the group photos) Photo by Chen Weihong, War Demon, Han Xibo, New Look of Forest Farm, Photo by Shi Ming, Photo by Soaring Ma Shoubao ■ The gossip exhibition brightens the background of ecological civilization for photography. In recent years, ecological photography has attracted more and more attention and attention. Such photos are also popular with people because they show the richness and beauty of natural ecology, and have become an important content of various photography exhibitions. Compared with other types of photography, ecological themes often require photographers to go deep into inaccessible places such as snowfields, forests, deserts, wetlands, etc., under the great challenge of the objective environment and subjective factors, use the lens to record the original natural ecology and wild rare species. Reproduce more natural scenery and lovely creatures to the public, arouse people's environmental awareness and ecological awakening. Therefore, many photographers are obsessed with seeking out lesser-known places and unique landscapes. But in fact, we should look inward to find the scenery, understand and think about the relationship between nature and people, and use ecology as the background to express the beauty of China. Chen Jianwei, chairman of the China Forestry Ecological Photography Association and a professor at Beijing Forestry University, said: "The pursuit of ecological photography is never superficial presentation or simple superposition, but the core of its pursuit is to establish a photographic concept from an ecological perspective. Ecological photography essentially emphasizes 'relationship' ', this 'relationship' is reflected by means of photography. Of course, to reflect this 'relationship' must include the photographer's knowledge, understanding and thinking about the ecological relationship, reflecting the photographer's inner feelings and the objective ecology ." Respecting nature and understanding nature can be said to be the premise of ecological photography. The knowledge and information contained in the photos must be scientific and conform to the laws of nature, and they cannot influence the objective reality intentionally or unintentionally in pursuit of the so-called beauty. But at the same time, visual appeal is also essential for the picture information to be accurately read by the viewer. This aspect comes from the application of photography technology. It does not stick to the traditional expression style, and creatively combines various photographic methods such as slow door, multiple exposure, push-pull and panning with the object of expression, so as to expand the visual expression of ecological themes. On the other hand, beauty also often comes from the understanding and observation of the subject. Only with sufficient knowledge of the subject and object can we capture its most moving and communicative moments, and even discover interesting patterns, combinations, shapes, forms and textures with a keen eye. Protecting nature and imitating nature reflects the higher pursuit of ecological photography. Ecology is the relationship between species and species, species and their living environment. Ecology ranges from microscopic organisms to macroscopic worlds, and human beings are part of the earth's biosphere, and certainly in it. We can tell the knowledge and stories of the relationship between organisms, and we can also intuitively show the actions to protect the natural ecology, and even the phenomenon of damage. Photography can timely and truly reflect objective reality, record ecological changes in the process of social transformation, arouse the attention and thinking of contemporary society, and leave the trajectory of our understanding of ecology to later generations. This is also the historical mission given to photography by the times. The purpose of ecological photography is not only to present aesthetics to attract attention, but also to inject personal cognition of ecology and exploration of photography. It can be said that ecological photography pursues not only the scene in the painting, but also the meaning outside the painting. (Text / Yang Yiyi)

(Responsible editor：Light)